First session of the day with Plog

Today I am going to share my session out of the Plog books, it was how I started my day and thought it was a good candidate for the blog today.

There is a bit more writing today, since certain aspects need to be explained (exercise no.4b as an example)

About the books, they are broken into sections. For example in Book 1 you will see more than one no.1, BUT it will in a diff grouping of warm up I, or II, etc. I tried to make it clear below, when you see a section show up stay in that section until a new one is mentioned in bold.

The Session

  • Constructive rest (Alexander Technique) (Learn about it here if you haven’t studied Alexander)

  • Breathing Exercises- I did the following ones

    • 6 - 7 - 8 - 9 - 10

    • Inhale therapy - sips - Exhale therapy x 2

      • First time with a total seal, second time with a leak.

  • Bill Adams long tones (not the advanced set) Start on a G in the staff, one tone at a time work your way outwards (G,F#,Ab,F,A,etc..) until G.

  • Plog Bk.1 -Warm up exercises I - 1a/c/e/g

    • Variation - do cells on the B horn only, the f horn only, and normal.

    • Buzz some (On a BERP if you have one)

  • Plog Bk.1 - 2b/d

    • Extend these patterns by repeating the last two notes down the octave

  • Take a short rest, stretch something that is tight.

  • Plog Bk.1 - 4a/b

    • 4a - first 3 notes are lip slurs, start F0 go all the way down through the B horn.

    • 4b - first 5 notes are lip slurs, as are the final 7 (only 1 not isn’t) on the F horn versions. The B horn harmonics don’t work for the same patter once you hit the written F so lip slur what you can but do those all on the B horn.

  • Plog Bk.1 - Warm up exercises II - 1a/b/d

    • All normal fingerings.

  • Plog Bk.1 - Warm up exercises III - 2b/c/d

  • Plog Bk.1 - Warm up Etude no.1

  • Take another short rest, stretch something out.

  • Plog Bk.5 - No.1

    • Use your own judgment how much of this one you do., there are TONS OF PATTERNS, don’t forget about the B horn, transpose some down the octave, they still work. Some of these can get wicked high with the B horn.

      • My usuall approach is play as written startign on 123 and working up and through the B horn all the way to T0. THEN do it down the octave SLOWLY on the F horn.

  • Plog Bk.5 - no.8

    • The third line only.

  • Plog Bk.5 - no.9

    • First line only.

  • Rest

  • Plog Bk.5 - no.9

    • Third line

  • Plog Bk.5 - Flexibility Etude no.4

    • After you get through it, if you don’t need to work on parts of it, repeat the first phrase down the octave

That is it, that is all.

Happy horning.


3 horn duets inspired by Concone and Bordogni